{"title":"Sold Out","description":"","products":[{"product_id":"another-way-of-seeing","title":"TDRBingo®  - T(DR)207 - Another Way Of Seeing","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition Screenprint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHand stamped, embossed, signed and numbered. \u003c\/p\u003e\n\u003cp\u003e500 x 700mm. \u003c\/p\u003e\n\u003cp\u003eEdition of 23. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMunken Polar Rough Crisp White 300gsm. \u003c\/p\u003e\n\u003cp\u003eLascaux Carbon Black Studio Acrylic ink. \u003c\/p\u003e\n\u003cp\u003eScreen printed at APG Works, Sheffield, UK.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan\u003eTDRBingo® 2023.\u003c\/span\u003e\u003c\/p\u003e","brand":"Divine Rights™","offers":[{"title":"Default Title","offer_id":47203429941572,"sku":"T(DR)207 - 17\/16","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0474.jpg?v=1707926789"},{"product_id":"always-all-ways-supernova-checkout-boy","title":"TDRBingo®  - T(DR)71 - Always All Ways Supernova Checkout Boy","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition Screenprint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHand stamped, embossed, signed and numbered. \u003c\/p\u003e\n\u003cp\u003e500 x 700mm. \u003c\/p\u003e\n\u003cp\u003eEdition of 23. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMunken Polar Rough Crisp White 300gsm. \u003c\/p\u003e\n\u003cp\u003eLascaux Carbon Black Studio Acrylic ink. \u003c\/p\u003e\n\u003cp\u003eScreen printed at APG Works, Sheffield, UK.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan\u003eTDRBingo® 2023.\u003c\/span\u003e\u003c\/p\u003e","brand":"Divine Rights™","offers":[{"title":"Default Title","offer_id":47203457499460,"sku":"T(DR)71 - 08\/02","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0541.jpg?v=1707927183"},{"product_id":"sarah-the-hen-sold-her-soul-to-transmat","title":"TDRBingo®  - T(DR)24 - Sarah The Hen Sold Her Soul To Transmat","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition Screenprint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHand stamped, embossed, signed and numbered. \u003c\/p\u003e\n\u003cp\u003e500 x 700mm. \u003c\/p\u003e\n\u003cp\u003eEdition of 23. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMunken Polar Rough Crisp White 300gsm. \u003c\/p\u003e\n\u003cp\u003eLascaux Carbon Black Studio Acrylic ink. \u003c\/p\u003e\n\u003cp\u003eScreen printed at APG Works, Sheffield, UK.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan\u003eTDRBingo® 2023.\u003c\/span\u003e\u003c\/p\u003e","brand":"Divine Rights™","offers":[{"title":"Default Title","offer_id":47203666952516,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0513.jpg?v=1707927166"},{"product_id":"my-top-tens","title":"My Top Tens","description":"\u003cp\u003eMy Top Tens - Five years on from A Bunch of Fives, the 10th anniversary of Evolutionprint and 30 years of The Designers Republic™.\u003c\/p\u003e\n\u003cp\u003eMake a List. Make a Wish. \u003c\/p\u003e\n\u003cp\u003eFeat. Adrian Shaughnessy, Aitor Throup, Alice Rawsthorn, Carlos Segura (T-26), Clint Mansell (Black Swan), Dave Haslam, David Crow, Duggie Fields, Eivind Aarset (ECM), Erik Kessels (Kessels Kramer), Erik Spiekermann, Evan Sharp (Pinterest SF), \u2028Graham Wood (ex-Tomato), Ian Anderson (TDR™), James Sommerville (CocaCola Global), Jessica Walsh (Sagmeister \u0026amp; Walsh), John Walters (EYE Mag), Jonathan Barnbrook, Kiyonori Muroga (IDEA Mag), Margaret Calvert, Marion Deuchars, Mark Stewart (The Pop Group), Morag Myerscough, Neville Brody, Rankin, Róisín Murphy, Rudy VanderLans (Emigré), Scott King, Sean Booth (Autechre), Steve Appleby, Thomas Fehlmann (Orb), Tony Brook (Spin), Trevor Jackson, Vaughan Oliver plus ninety-six more.\u003c\/p\u003e\n\u003cp\u003eLimited edition (750).\u003c\/p\u003e\n\u003cp\u003eMeasures 167x238mm. \u003c\/p\u003e\n\u003cp\u003e276 pages.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515406041412,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0800.jpg?v=1700952266"},{"product_id":"bunch-of-fives","title":"A Bunch of Fives","description":"\u003cp\u003e\u003cspan\u003eCelebrating TDR's 25th birthday, Ian's 50\u003c\/span\u003e\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e and the 5\u003c\/span\u003e\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e anniversary of Evolutionprint.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"What does five mean to you?\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMeasures 155x217mm.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515436941636,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0792.jpg?v=1700952408"},{"product_id":"sissy","title":"DR-Sissy™","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDR-Sissy™ was the first ‘modern culture’ doll made in Japan by an accredited Hakata craftsman. The dolls are made from clay found near Fukuoka City in a practice first established in the early 17th-century. The clay is carved and sculpted to make an original figure that is then used to create a cast (from which up to 300 dolls can be\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emade). The dolls are then dried, fired unglazed and hand-painted for final finishing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince a single artisan carries out the whole process from carving and sculpting to finishing, the dolls reflect the creativity of their maker in a way that mass production can’t match. \u003c\/span\u003e\u003cspan\u003eThat’s why we chose to work with Yoshimasa Matsuo to create an antidote to the then contemporary mass-produced, injection-moulded plastic designer toy culture.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDR-Sissy™ first appeared as a character (‘she is cute, she will kill you’) designed for the cover of Emigre Magazine’s TDR issue in 1994 (designed in 1993). A 3D version was created by Nicky Westcott (Place) who worked as a 3D modeller at Psygnosis and who’d been instrumental in getting TDR involved in Wipeout. We first used her as an image to pair with a magazine interview where we spoke at length about not being into 3D graphics!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe DR-Sissy Doll was made in Hakata in 2004 as a limited edition of 300. We thought they’d all found new homes but found a handful of them hiding out under some Age of Chance artwork in the darkest recess of our past in the TDR-kive.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e(Measures approx 180x180mm)\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515455816004,"sku":"","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0780.jpg?v=1700952476"},{"product_id":"emigre-issue-29","title":"Emigre 29 — TDR™ issue","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmigre 29 — TDR™ issue \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeaturing an interview with \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIan Anderson and 12-page calendar. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear: 1994.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1993, California-based Emigre Magazine founder \/ editor approached The Designers Republic about collaborating on a TDR-dedicated issue of the magazine. He told me that, having seen various of our record covers, he thought we were the natural successors to Wolfgang Weingart. So we went look up who Wolfgang Weingart was. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThen, as now to a degree, we were more than happy in our isolation in Sheffield, protecting it, building a mystique and genuinely not being too interested in what people thought, other than our clients. Design magazines and the stuff inside them was a different world. What I liked about Emigre was that it was designed, but playful — some of it is almost anti-design — and it featured other designers who were searching for something more than to just satisfy clients.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHe came over to Sheffield, stopped at my house for a few nights — he planned to do a long interview with me and show some of our work, and wanted us to do the cover. I asked if we could do some of the pages inside and so we did a 12-page section, nominally a calendar (I always liked things like those fixture pull-outs in Shoot magazine). \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSo we went about appropriating bits and pieces of our work and cramming it all together, sampling and remixing if you like, to find something new. Hypercolour distilled into one colour design. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis was really the beginning of our ongoing process of reappropriating personal work for clients as client work for ourselves, juxtaposing seemingly random elements into cohesive auteuresque communication — fine tuning subliminal whispers in work for others into something with a specific TDR voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSomewhere in the process we became obsessed with the deconstruction of commercial design and form rebuilding the medium as our message, obliquely commenting on the process in and off itself. I’m not sure we thought of it in those terms at the time, we were too focussed on the maximalism of ‘destroying minimalism’ and the beginning of a consumerist ‘everything multiplied by everything else’. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRudy said he thought we were pulling the pants down of serious design — In Nick Bell’s Emigre issue he had ‘This page is a door’, so we had ‘This page is a piece of paper’ — knowingly de- then re-mystifying the creative process for an audience pre-disposed to react to such strategies — a target audience who saw itself as anything but.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmigre was the point where a lot of people we considered to be serious designers — i.e. not like us, you know, professionals — took notice, and suddenly we were being talked about in the same breath as them, not just as people who did record covers (before doing record covers was a thing!) \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmigre Issue 29 perfectly captured, by intention, encouraged by Rudy, where TDR was at in the early 90s. Its now seen, in hindsight, as a watershed for how design attitudes, approaches, and even the demographic of design changed in the nascent computer-fuelled era. People talk about it as a template for the foundations of Y2K design — for us, at the time it was just a playground, somewhere to dump all the ideas we couldn’t be bothered to convince clients to use. Piracy on the Hi-Tech remixed remade and remodelled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt was also where our starchild DR Sissy debuted. Rudy had commissioned us to design the cover and suggested we take a typically politically TDR view of America which is of course what DR Sissy essentially was — a perspective on then US foreign policy… the ‘have a nice day y’all’ smiling face of friendly American aid backed up with a baseball bat friendly-fire diplomacy of exactly how the favour should be repaid. ‘She is cute she will kill you’. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eObjectively its a 40-page A3 magazine printed on matt stock by Cal Central in Sacramento designed in 1993 and published in 1994 as an edition of 6,500 printed Pantone 295 (or similar) throughout adding Pantone 804 on the cover.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate last century we time capsuled three copies for future reference, and in that same spirit, the search for something new, or different, to us, means we’re less precious about the past. The original issue sold out relatively quickly and has long been on collectors’ wish lists selling for shitloads on eBay etc. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe copies we’re offering for sale are brand new but have been buried at the bottom of plan chest drawers in the archive for 30 years — they are time-tanned not tarnished. Once they’re gone, they’re gone forever! \u003c\/p\u003e\n\u003cp\u003e(Measures 285x425mm)\u003cbr\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515460272452,"sku":"","price":500.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0761.jpg?v=1700952551"},{"product_id":"coca-cola-love-being","title":"Coca-Cola: Love Being Alu-Bottle","description":"\u003cp\u003eDesigned as part of Coca-Cola’s M5 initiative in 2006 — 21st century Coke’s attempt to re-align with its Warholian pop-cultural past. \u003cspan\u003eTDR were invited to represent Europe joining 4 other globally dispersed creative agencies in ‘exploring the improbable to throw up some very exciting possibilities’. Love Being was a TDR™ idea ignited by Coke’s ‘Better World’ manifesto. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile cynicism remains key to the analytical process, it is optipositivity which inspires and \u003c\/span\u003e\u003cspan\u003eeffects progress as distinct from change. Following on from Life Before Death (for Liberty, London) and TDR™\/ Pho-Ku Corp’s own Kill Yourself project, the core concept behind \u003c\/span\u003e\u003cspan\u003eLove Being was deliberately equally ambiguous — either modus operandi or personal affirmation — the medium and the message. It’s the lightbulb flashing in your head and the warm glow of your beating heart.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCoca-Cola gave us the opportunity to continue infecting our commercial work with our own \u003c\/span\u003e\u003cspan\u003e‘high ideals and crazy dreams’. \u003c\/span\u003e\u003cspan\u003eThe alu-bottles themselves were developed as a result of global research which found that the uniquely shaped Coke ‘contour’ bottle was seen by consumers as the most iconic element of the brand’s assets, above even the Spencerian script logo. The majority of Coca-Cola’s sales of individual units were in cans, which are the same standard shape and size as any other soft drink. To recapture the brand essence of the contour bottle the company explored the possibility of creating a ‘contour can’. TDR’s Love Being design, as part of the M5 project, was one of five limited edition alt-bottles created to launch the new format globally. Technical problems in the mass production and distribution of the alt-bottles as a new standard format meant that they were always restricted to special \/ limited editions.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe have just a handful of file copies of these desirable ‘pop cultural’ Coke \/ design collectors items available (without Coke in them!).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e(Measures 50x180mm)\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515479966020,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0824.jpg?v=1700952625"},{"product_id":"angryman-tee-white","title":"Angryman Tee White","description":"","brand":"The Designers Republic™","offers":[{"title":"Medium","offer_id":47515508834628,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"Large","offer_id":47515508867396,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0814.jpg?v=1700952850"},{"product_id":"ny-sushi-slipmat","title":"12\" NY Sushi 'As Seen on TV' Slipmat","description":"\u003cp\u003eBack in the 90s when 12” singles were the standard DJ format, so the branded \/ promo 12” slipmat was a ‘thing’. We designed matching slipmat sets for all sorts of people but this was always a favourite.\u003c\/p\u003e\n\u003cp\u003eNY Sushi was a small really-super club in Sheffield running nights at Unit and Big Bangs up at The Ski Village. It was regularly touted by magazines such as I-D, Sleazenation and Dazed and Confused as being something somewhere between the best club in The North and the best club in The Universe.\u003c\/p\u003e\n\u003cp\u003eWe thought these limited edition mats were as long gone as Fishy Chip™ but found this in-demand beast while digging out our yeti-boots for the current North of Nowhere™ cold snap. Still in working order — one careful owner.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e(Measures 12\")\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515514765636,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0770.jpg?v=1700953177"},{"product_id":"hey-think-it-aint-illegal-yet","title":"Hey Think, It Aint Illegal Yet (90\/91) - Uncut Version","description":"\u003cp data-mce-fragment=\"1\"\u003e3-4 years in to The Designers Republic it was still a done thing to send Xmas cards to suppliers and clients. We wanted to do something more personal \/ more on (our) brand \/ less mass consumer to capture something of what we felt had become the true essence of the season. We also wanted to create something that positioned us, and whatever we did, as being not just for Xmas.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo we designed and screen printed these Seasonal posters (100 of each) and delivered them just before Xmas so they’d be ripe and ready to unwrap and display in time for ‘back to work' in the New Year.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Department Stores print was the first iteration\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(89\/90) of the (still) ongoing project to illustrate the lyrics to The Pop Group’s ‘We Are All Prostitutes’ under the banner of The Godlike Genius of Mark Stewart. The design itself is an adaptation of TDR’s pre-Angry man eagle logo hijacked and designed to reflect the Cold War Collision between the American and Russian eagles — the two not-so-different republics ideologically pulling the world apart at its seems, Merry Xmas. Even then. Design artworked mechanically with bureau output Freehand typography, Rotring-drawn PMT-ed graphics, Letraset and photocopies, and screen printed by Martin Beresford at The Leadmill.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHey! Think! It Ain’t Illegal Yet was the follow up (90\/91) — a confusion of ideas around the contradictions of the season wrapped up in fluorescent snow-baubles. Same same but different, counting the sheep mentality of spend spend spend consumerism flash feeding shiny gifts as emotional payola — all megaphoned through and ‘dressed-up nice’ as a screen printed P(Antone)-Funk mantra printed 2-up to crop to a vertical banner.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere were a couple of uncut proofs and we found one as well as a couple of cut down ones. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBoth sets of prints have been at the back of plan chests for several years… they are in good condition (no discolouration) but are slightly studio worn.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt Ain’t Illegal Yet print (uncut version) m\u003c\/span\u003eeasures 510x765mm\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515525448004,"sku":"","price":200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0657.jpg?v=1700953643"},{"product_id":"autechre-oversteps-circles-1","title":"Autechre Oversteps Circles #1","description":"\u003cp\u003eIf there are such things as TDR Holy Grails then these original paintings must be among them. Despite the mantra “Favourites Not Applicable”, its true to say that Oversteps, aesthetically and conceptually, is definitely up there for us.\u003cbr\u003e\u003cbr\u003eAt the core of what we do is making marks, and how, and where, and why we make them in the first place. This is the story of the Oversteps circles.\u003cbr\u003e\u003cbr\u003eWhy, when we humans have the most complex ‘computers’ already on board (if we choose to use them), are so many of us obsessed with replicating machine programmed output? What is it that technology can deliver that we, generally, can’t? Drawing perfect circles?\u003c\/p\u003e\n\u003cp\u003eThe design and artwork for Oversteps revolves around human attempts to draw perfect circles, in various physical media, to reference the unavoidable humanity permeating the coded sonics in Autechre’s programmed music. I worked out how many individual surfaces there would be across the album formats (the front and the back, the outer and inner covers, the box, the poster, the labels, the CD packaging, the digital ‘covers’, the ads, the OOH promo, the merch etc) and tasked the TDR™ studio with exactly that number of attempts to create perfect black circles using everything from gloss and poster paint (applied with various sized brushes), to Pantone markers, Sharpies and even resurrected Rotrings.\u003c\/p\u003e\n\u003cp\u003eEach of the attempts was scanned and applied digitally to just one of the surfaces, so that across all formats, you would never see the same ‘circle’ twice.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThese paintings are original artworks and are, in every sense, one-offs. They are also unique pieces of history \/ artefacts of TDR’s genre-defining work with Autechre and Warp Records. They were not created as artworks in themselves, just sheets of white paper found in the studio used to record human attempts to draw perfect circles.\u003c\/p\u003e\n\u003cp\u003e1 of 8 unique works (sold separately) - Measures 640x900mm\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515535245636,"sku":"","price":2000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0676.jpg?v=1700953858"},{"product_id":"autechre-oversteps-circles-2","title":"Autechre Oversteps Circles #2","description":"\u003cp data-mce-fragment=\"1\"\u003eIf there are such things as TDR Holy Grails then these original paintings must be among them. Despite the mantra “Favourites Not Applicable”, its true to say that Oversteps, aesthetically and conceptually, is definitely up there for us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the core of what we do is making marks, and how, and where, and why we make them in the first place. This is the story of the Oversteps circles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhy, when we humans have the most complex ‘computers’ already on board (if we choose to use them), are so many of us obsessed with replicating machine programmed output? What is it that technology can deliver that we, generally, can’t?\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDrawing perfect circles?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe design and artwork for Oversteps revolves around human attempts to draw perfect circles, in various physical media, to reference the unavoidable humanity permeating the coded sonics in Autechre’s programmed music. I worked out how many individual surfaces there would be across the album formats (the front and the back, the outer and inner covers, the box, the poster, the labels, the CD packaging, the digital ‘covers’, the ads, the OOH promo, the merch etc) and tasked the TDR™ studio with exactly that number of attempts to create perfect black circles using everything from gloss and poster paint (applied with various sized brushes), to Pantone markers, Sharpies and even resurrected Rotrings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach of the attempts was scanned and applied digitally to just one of the surfaces, so that across all formats, you would never see the same ‘circle’ twice.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese paintings are original artworks and are, in every sense, one-offs. They are also unique pieces of history \/ artefacts of TDR’s genre-defining work with Autechre and Warp Records. They were not created as artworks in themselves, just sheets of white paper found in the studio used to record human attempts to draw perfect circles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1 of 8 unique works (sold separately) -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMeasures 640x900mm\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515536884036,"sku":"","price":2000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0692.jpg?v=1700953927"},{"product_id":"autechre-oversteps-circles-3","title":"Autechre Oversteps Circles #3","description":"\u003cp data-mce-fragment=\"1\"\u003eIf there are such things as TDR Holy Grails then these original paintings must be among them. Despite the mantra “Favourites Not Applicable”, its true to say that Oversteps, aesthetically and conceptually, is definitely up there for us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the core of what we do is making marks, and how, and where, and why we make them in the first place. This is the story of the Oversteps circles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhy, when we humans have the most complex ‘computers’ already on board (if we choose to use them), are so many of us obsessed with replicating machine programmed output? What is it that technology can deliver that we, generally, can’t?\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDrawing perfect circles?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe design and artwork for Oversteps revolves around human attempts to draw perfect circles, in various physical media, to reference the unavoidable humanity permeating the coded sonics in Autechre’s programmed music. I worked out how many individual surfaces there would be across the album formats (the front and the back, the outer and inner covers, the box, the poster, the labels, the CD packaging, the digital ‘covers’, the ads, the OOH promo, the merch etc) and tasked the TDR™ studio with exactly that number of attempts to create perfect black circles using everything from gloss and poster paint (applied with various sized brushes), to Pantone markers, Sharpies and even resurrected Rotrings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach of the attempts was scanned and applied digitally to just one of the surfaces, so that across all formats, you would never see the same ‘circle’ twice.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese paintings are original artworks and are, in every sense, one-offs. They are also unique pieces of history \/ artefacts of TDR’s genre-defining work with Autechre and Warp Records. They were not created as artworks in themselves, just sheets of white paper found in the studio used to record human attempts to draw perfect circles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1 of 8 unique works (sold separately) -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMeasures 640x670mm\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515537801540,"sku":"","price":2000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0693.jpg?v=1700953968"},{"product_id":"autechre-oversteps-circles-7","title":"Autechre Oversteps Circles #7","description":"\u003cp data-mce-fragment=\"1\"\u003eIf there are such things as TDR Holy Grails then these original paintings must be among them. Despite the mantra “Favourites Not Applicable”, its true to say that Oversteps, aesthetically and conceptually, is definitely up there for us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the core of what we do is making marks, and how, and where, and why we make them in the first place. This is the story of the Oversteps circles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhy, when we humans have the most complex ‘computers’ already on board (if we choose to use them), are so many of us obsessed with replicating machine programmed output? What is it that technology can deliver that we, generally, can’t?\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDrawing perfect circles?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe design and artwork for Oversteps revolves around human attempts to draw perfect circles, in various physical media, to reference the unavoidable humanity permeating the coded sonics in Autechre’s programmed music. I worked out how many individual surfaces there would be across the album formats (the front and the back, the outer and inner covers, the box, the poster, the labels, the CD packaging, the digital ‘covers’, the ads, the OOH promo, the merch etc) and tasked the TDR™ studio with exactly that number of attempts to create perfect black circles using everything from gloss and poster paint (applied with various sized brushes), to Pantone markers, Sharpies and even resurrected Rotrings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach of the attempts was scanned and applied digitally to just one of the surfaces, so that across all formats, you would never see the same ‘circle’ twice.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese paintings are original artworks and are, in every sense, one-offs. They are also unique pieces of history \/ artefacts of TDR’s genre-defining work with Autechre and Warp Records. They were not created as artworks in themselves, just sheets of white paper found in the studio used to record human attempts to draw perfect circles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1 of 8 unique works (sold separately) -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMeasures 640x900mm.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47515545436484,"sku":"","price":2000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0733.jpg?v=1700954221"},{"product_id":"autechre-ae-200914-210815-cardbox","title":"TDR™ (Ae) 200914 — 210815 A6 Postcard Box Set","description":"\u003cdiv\u003ePart of the deal with TDR’s Autechre work was that we would produce limited edition TDR print versions of our work (for their work) where appropriate. Enough people asked often enough if it could be possible to, in addition to the individual print, get sets of all the variations of each artwork (Oversteps’s something like 72 attempts to draw a perfect circle and \/ or the faux generative geometric designs for the digital only live albums and \/ or the circle square  track idents for the exhaustive Elseq digital only ‘studio’ album). We looked into making small run small books for each project but thought postcard sets would fulfil the same ‘collectible' function also allowing people to frame the images in anyway they chose.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese box sets sold quickly at the time (the Elseq one is completely sold out) — we kept some back… not sure why. Anyway, this is all we have left.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eThe 200914 — 210815 (Live) box has 10 of the original live album variations printed to the same spec as the Oversteps cards and is the only place these designs have officially appeared in any kind of physical form.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe cards measure 115x148mm (A6).\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47747602612548,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0068.jpg?v=1704743893"},{"product_id":"autechre-oversteps-cardbox","title":"TDR™ (Ae) Overstep 1_23 A6 Postcard Box Set","description":"\u003cdiv\u003ePart of the deal with TDR’s Autechre work was that we would produce limited edition TDR print versions of our work (for their work) where appropriate. Enough people asked often enough if it could be possible to, in addition to the individual print, get sets of all the variations of each artwork (Oversteps’s something like 72 attempts to draw a perfect circle and \/ or the faux generative geometric designs for the digital only live albums and \/ or the circle square track idents for the exhaustive Elseq digital only ‘studio’ album). We looked into making small run small books for each project but thought postcard sets would fulfil the same ‘collectible' function also allowing people to frame the images in anyway they chose.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese box sets sold quickly at the time (the Elseq one is completely sold out) — we kept some back… not sure why. Anyway, this is all we have left.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eThe 200914 — 210815 (Live) box has 10 of the original live album variations printed to the same spec as the Oversteps cards and is the only place these designs have officially appeared in any kind of physical form.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eThe cards measure 115x148mm. \u003cbr\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47747614540100,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0076.jpg?v=1704744009"},{"product_id":"tdr-office-use-only-mousemat","title":"TDR™ 'Office Use Only' Mousemat","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eIn 2000 we launched the original \u003ca href=\"http:\/\/www.thedesignersrepublic.com\/\"\u003ewww.thedesignersrepublic.com\u003c\/a\u003e site designed with long term collaborators Kleber and with sound design by Simon ‘Freeform’ Pyke. Pre-track-pad, turn of the century computing was all about the mouse, and the mousemat. To celebrate the launch of TDR’s brand new web we decided to mirror the home-page on the limited edition mat so that we would be ‘on’ 24 \/ 7, and no matter where you were in the ether, you’d always have a reminder to come back to us. We found a few mats, which we archived at the time… they’ve been carefully stored in various secret locations ( but not cryogenically frozen ) for 23 years. They’re still either New and Unused or studio—used.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures 242x192mm.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47747665494340,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0020.jpg?v=1704744112"},{"product_id":"ggg-catalogue","title":"Ginza Graphic Gallery Catalogue","description":"\u003cdiv\u003eIan Anderson \/ The Designers Republic C ( H—ome ) +81 \/ 3 ( aka TDR Come Home To Tokyo ) Ginza Graphic Gallery Catalogue (2011)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHaving been 'Big In Japan’ all over the OG Y2K, TDR’s first major show in Tokyo was spread across two repurposed \/ restructured floor spaces at Dai Nippon’s prestigious Ginza Graphic Gallery in Tokyo. This 64pp full colour A5 hardback publication from Dai Nippon was designed to accompany the show. It doesn’t mirror the show directly but features 57 works more or sometimes less directly related to work for or influenced by Japan (the country not the band) and TDR’s clients there. It includes an intro essay by IDEA Magazine’s Kiyonori Muroga.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eFor years we had our fancy Bose speakers propped up and angled on cardboard boxes. When we replaced the speakers we realised the boxes actually had our ‘lost’ catalogues unopened in them… there’s 10 on offer. Then they’re gone forever. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eMeasures 190x135mm.\u003cbr\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47747708780868,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0060.png?v=1705162346"},{"product_id":"brain-aided-design-at-la-capella-catalogue","title":"TDR™ Brain Aided Design Exhibition Catalogue","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTDR Brain Aided Design Exhibition Catalogue Sonar\/ Barcelona (2002)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eBAD was a major TDR retrospective show at La Capella de l’Antic Hospital de la Santa Creu Gallery organized by SONAR \/  Xavier Calvo, curated by TDR’s founder Ian Anderson and funded by Barcelona’s Junta de Govern de l’Institut de Cultura de Barcelona. This is the 136pp catalogue of the show which, at the time, was the most comprehensive published collection of TDR’s work to date, featuring scaled versions of the 2x1m vertical banners of remixed personal and commercial work which typified TDR shows up to and around the millennium. It also includes work exclusive to the show as well as the TDR Tokyoscape in full. We’ve unearthed a few unthumbed copies and… well… sharing sounds like caring.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures 192x240mm.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47747740369220,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0041.jpg?v=1704744287"},{"product_id":"issey-miyake-fashion-show-invites","title":"TDR™ Issey Miyake Private Show Invitation Milan 2000","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eFor obvious reasons these TDR gems for Issey Miyake are as rare as hen’s eggs (but better designed and print \/ spot UV fresh in their original envelopes). They’re not big but they’re beautiful and real fashion world collectibles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures 128x128mm.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47747754099012,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0028.png?v=1704744598"},{"product_id":"tdr-body-wild-boxers","title":"TDRSushi \/ Body Wild Boxers","description":"\u003cp\u003e\u003cspan\u003eTDRSushi \/ Body Wild Knickers Knackers Knockers (2010)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSometime around 2010 The Designers Republic collaborated with Body Wild (Japan) to create the TDRSushi limited edition underwear range sold exclusively via Body Wild outlets (like the one kinda opposite TDR’s People’s Bureau shop (closed) off Cat Street in Harajuku). The designs were based on remixed and remodelled TDR™ graphics for legendary Sheffield experience (and TDR™ playmates) NY Sushi. In the range (all the same graphics) were girl shaped bra-lattes and pants, and boy-shaped boxers available in Japanese S \/ M \/ L \/ XL. These quickly sold and became collectors items. Found some brand new still packaged file copies in a box under a couple of NYSushi slip mats. They don’t fit me…\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThese are sold as collectors items. No returns. These are the only ones we have, we can’t swap sizes.\u003c\/div\u003e","brand":"The Designers Republic™","offers":[{"title":"Medium","offer_id":47747778707780,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false},{"title":"Large","offer_id":47747778740548,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0037.jpg?v=1704745060"},{"product_id":"body-wild-bralette","title":"TDRSushi \/ Body Wild Bralette","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSometime around 2010 The Designers Republic collaborated with Body Wild (Japan) to create the TDRSushi limited edition underwear range sold exclusively via Body Wild outlets (like the one kinda opposite TDR’s People’s Bureau shop (closed) off Cat Street in Harajuku). The designs were based on remixed and remodelled TDR™ graphics for legendary Sheffield experience (and TDR™ playmates) NY Sushi. In the range (all the same graphics) were girl shaped bra-lattes and pants, and boy-shaped boxers available in Japanese S \/ M \/ L \/ XL. These quickly sold and became collectors items. Found some brand new still packaged file copies in a box under a couple of NYSushi slip mats. They don’t fit me…\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThese are sold as collectors items. No returns. These are the only ones we have, we can’t swap sizes.\u003c\/div\u003e","brand":"The Designers Republic™","offers":[{"title":"Medium","offer_id":47747788702020,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0032.jpg?v=1704745201"},{"product_id":"black-angryman-tee","title":"TDR™ Angryman And Chips (Refried) Tee","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn January 26 2019 Ian Anderson and Trevor ( Bite It \/ Playgroup ) Jackson had an on stage conversation at the Bleep pop-up shop in Dalston as part of the RA (Resident Advisor) Exchange Live events programme. To celebrate the event, Bleep commissioned a TDR-T ( white tee with a black Angryman glitched Atom Vectors Pixels Ghosts style ). This limited edition sold out via the Bleep site in less than an hour before the show started. In response to demand, and not wanting to compromise the original Bleep shirt, we designed \/ produced this beast which is a remix \/ refry of Angryman and Chips mashed up with the Up Over Down Under (Melbourne) show merchwerk from 2013.\u003c\/span\u003e","brand":"The Designers Republic™","offers":[{"title":"XXXLarge","offer_id":47747805118788,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"Extra Large","offer_id":47747805151556,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"Small","offer_id":47747805184324,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0079.png?v=1704745632"},{"product_id":"dont-waste-paper-on-small-ideas-evolutionprint-print","title":"Don’t Waste Paper On Small Ideas \/ Evolutionprint Promo Print","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eIn 2009, knee deep in the blah blah digital lust of ‘Print Is Dead’, we (re—) branded our favourite printer, Sheffield’s Evolutionprint. We didn’t want to reject 'recycle or die’ as a way of life but wanted to find different ways to communicate the value of environmentally responsible printing using FSC stock, and print itself etc. Year on year we explored themes of people making their mark by mark making, thinking organically rather than digitally and using resources creatively and responsibly. ‘Don’t Waste Paper on Small Ideas’ was the key message in our campaign for Evolution in 2017 and this B2 print for their clients (promoting their print capabilities), with oversized text (a big idea) was an expression of that.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures 1000x700mm.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47762485248324,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0086.jpg?v=1704971687"},{"product_id":"all-art-is-shit-all-shit-is-art-digital-print","title":"All Art is Shit \/ All Shit is Art - Double Sided A3 Lithoprint","description":"\u003cp\u003eIt’s May 1995, and following the publication of Emigre Magazine’s TDR™ issue the previous year, we’re at the launch of ‘Customised Terror’ our second group show in NYC in as many months. The first was ‘Synaesthesia’ at The Mary Anthony Gallery on Broadway, curated by Warhol-factory alumnus Ronnie ‘Blaise’ Cutrone. This one is curated by Ronald Jones at SoHo’s Artists Space.\u003c\/p\u003e\n\u003cp\u003eThe theme is ‘transmogrification’ (the conceptual point where, during ‘a strange or preposterous metamorphosis such as frog becoming a prince for example, it is neither one thing nor the other). Ronald is interested in TDR™’s appropriation of corporate brands into a ‘global slang for the common man’, focussing on how these marks are read rather than how they are ‘written’.\u003c\/p\u003e\n\u003cp\u003eTDR™ has been commissioned to create around 10-15 new works for the show with Bryan Crockett and Brian Tolle.\u003c\/p\u003e\n\u003cp\u003eArtworld buzzwords around the time were Installation, Intervention and Interaction. Scoping the Greene St. gallery space I wanted to create something site specific that made people feel they were part of the show.\u003c\/p\u003e\n\u003cp\u003eIt was also a time of a lot of jibber-jabber about the relationship between graphic design and art. The harder we tried to distance ourselves from Art with a big ‘A’ (before the cock could crow for a third time) the more the Artworld (with a big ‘A’) seemed to court us.\u003c\/p\u003e\n\u003cp\u003eEither way, in the gallery space there was a long corridor leading to the toilets with a blank space facing you as you went for a ‘comfort break’. It seemed an ideal position for a work which could command a captive audience walking the corridor.\u003c\/p\u003e\n\u003cp\u003eApparently most artists didn’t want their work shown there, next to the toilets. I thought it was an ideal spot to provoke a response to ‘All Art Is Shit’. The only way back to the main gallery was back down the same corridor where there was another blank wall ‘going spare’.\u003c\/p\u003e\n\u003cp\u003eI wanted people to feel they were contributing to the show so flipped the first piece to read ‘All Shit Is Art’.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe design itself is based on the then omnipresent Pulp Fiction film typography.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe original pieces were 2m x 1m digital inkjet prints laminated in a material used to insulate tech in space stations.\u003c\/p\u003e\n\u003cp\u003eWhen we reprised our content from the show at The Forum Bar in Sheffield later that year, we produced limited run A3 lithoprints of the key works (see MacWanker \/ Bank of Jesus \/ Fleshburger etc). These sold out quickly but we reprinted a ltd edition around 2001 when we launched The Peoples Bureau For Consumer Information online retail experience.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe ‘All Art Is Shit’ \/ ‘All Shit Is Art’ was designed as a double sided print to allow the owner to decide for themselves which side of the cubicle door they were on.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47893843050820,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0113.jpg?v=1706969595"},{"product_id":"generation-mitdr-name","title":"Think? DR - A3 Lithoprint","description":"\u003cp data-mce-fragment=\"1\"\u003eIt was kinda 30 years ago today in 1994 when the Sunday Times Magazine featured The Designers Republic™. In response to their request for a team portrait, we reworked TDR™ elements from the recently published Emigre Magazine and hung them on our rejected artwork for a Gary Clail On-U Sound System release (possibly a follow up to 1990’s  ‘Beef (How Low Can You Go?)’ ). I felt it was more important to show what we did rather than who did it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe design was repurposed for an A3 Litho print around the same time as the initial ‘Customised Terror’ show prints, and like them, reprinted for the launch of The Peoples Bureau online action in 2001.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLong thought to be extinct we found a few of the beasts while unarchiving a wedge of original Warp artworks and test-prints.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47893852094788,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0115.jpg?v=1706969853"},{"product_id":"warp-digital-print","title":"Forge FM Subset - A3 Lithoprint","description":"\u003cp data-mce-fragment=\"1\"\u003eAn original 1994 A3 Promo poster for local Sheffield community (ex-pirate) radio station Forge’s Subset radio show done on the double based on the then in-progress design for Warp’s Joey Beltram Caliber EP release. Both were test runs for the letterforms we were evolving for Wipeout (which were originally designed in 1993 as part of the TDR™ pull-out calendar in Emigre Magazine published earlier in 1994).\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47893858550084,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0116.jpg?v=1706970202"},{"product_id":"sissy-a3-digital-print","title":"DRSissy™ - A3 Lithoprint","description":"\u003cp data-mce-fragment=\"1\"\u003eDR Deth Toy Sissy first appeared as the cover star for Emigre Magazine’s TDR™ issue in 1994. She had a Manga meets HannaBarbera style make-over for Warp’s Blech Club night flyers eventually appearing on Blech II mix-CD (cover-starring as Blechsdöttir).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom this version Psygnosis’s Wipeout lead-artist \/ producer Nicky Westcott (now Place) played around with and gave us a 3D version, initially for fun.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3D DRSissy™ first appeared in public deliberately submitted to accompany a design magazine interview where we talked about not being interested in the glut of early-tech 3D graphics people like Me Company were producing at the time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis A3 print, which predates the Sissy Doll figurines, was a 2005 facsimile of a late 90s 2m x 1m banner  — originally a pastiche on Barbie-style doll packaging referencing her DR Deth Toy status (‘she is cute she will kill you’). This edition was printed to accompany TDR™’s BADSoyo Brain Aided Design show at Millennium Galleries, Sheffield.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47893869986116,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0117.jpg?v=1706970612"},{"product_id":"vampireman-a3-digital-print","title":"Vampireman - A3 Lithoprint","description":"\u003cp data-mce-fragment=\"1\"\u003eThis 2-col Pantone Fluoro 805 vs Metallic Purple was originally printed in 1992 for 1993 as a limited run of 100 as a ‘Happy New Year’ communication to our (potential) clients and suppliers. There was an exact reprint of 200 around 2001 for the launch of The Peoples Bureau For Consumer Information website. Mining the archives we uncovered a (small) handful of the prints but it’s impossible to see or say which run they’re from.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe print is the second from a mascot series sent out each new year in the early 90s. The first was DR Spaceman and DR Vampireman was followed by DR Twins (used to promote the first TDR ’solo’ exhibition ’New \u0026amp; Used’ (1993) at Sheffield’s Mappin Gallery) and DR Sissy (adapted from Emigre magazine cover).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlong with DR Spaceman, DR Vampireman is an example of overt piracy on the Hi-tech where we found existing characters we felt spoke for us and where we were at the time.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47893883715908,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0118.jpg?v=1706970940"},{"product_id":"think-blue-tdr-print-a3-digital-print-name","title":"TDR Generation N - A3 Lithoprint","description":"\u003cp data-mce-fragment=\"1\"\u003eThis A3 CMYK + 877 print is a remix rework of TDR™’s book cover for Dai Sato’s 1996 Generation N book published in Japan by Shoei-Sha (Tokyo).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe original rework was for TDR™’s Progress In Work \/ Sign:age show at Blue Note Gallery, London 1996.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe work was modified as a standard TDR™ 2m x 1m banner for Brain Aided Design at La Capella De L’antic Hospital De La Santa Creu, Barcelona as part of 2002’s Sonar Festival.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis version was produced in 2003 for The Peoples Bureau For Consumer Information\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":47893893022020,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0122.jpg?v=1706971137"},{"product_id":"tdr-have-no-info-blue-tee","title":"TDR Have No Info Blue Tee","description":"First Come First Served...","brand":"The Designers Republic™","offers":[{"title":"XXL","offer_id":47922699665732,"sku":"","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0162.jpg?v=1706971696"},{"product_id":"brother-beyond-tee","title":"Brother Beyond T-shirt","description":"\u003cp\u003eSometime at the end of the 1980s when TDR™ was hitting its stride with Pop Will Eat Itself, Age of Chance, FON Records’s Krush (House Arrest), Funky Worm and t-shirt collections for Leeds’s X Clothes etc there was a call out of the blue from Brother Beyond’s management to design a promo tee for the boy-band.\u003c\/p\u003e\n\u003cp\u003eThey referenced the back cover of Krush singer Ruthjoy’s Rob Gordon produced solo single Soul Power (MCA). They wanted something sunshine tribal. The band had been featured alongside Funky Worm in Smash Hits and liked the TDR™ gear Julie ‘Worm’ was wearing.\u003c\/p\u003e\n\u003cp\u003eLike everything BC (before computers) at the time, the design was Rotring-drawn, photocopied and \/ or PMT cut and pasted onto graph board and marked up for colour on K-Trace overlays.\u003c\/p\u003e\n\u003cp\u003eWe used Soul Power off-cuts and vague memories of fashion designer Sue Clowes amazing prints from the early 80s to fashion a response to the brief. The tee shirt design is what’s left of what we wanted after the management, the label and the band had stripped away the bits they didn’t like!\u003c\/p\u003e\n\u003cp\u003eWe assumed we’d be drafted in for subsequent record covers for the band but the manager actually laughed when it was suggested. I’m laughing at the idea now!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSo, here you have it, the one and only Brother Beyond shirt we’ve ever had, and didn’t know we had until a few weeks ago found, ironically, at the bottom of a box of Aim Low + Miss tees!\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"XXL","offer_id":47893933424964,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0176.jpg?v=1706971863"},{"product_id":"aim-low-miss-tee-1","title":"Aim Low + M—ss Japanese Logo - T-Shirt","description":"\u003cp\u003eAIM LOW + M—SS was a Sheffield fashion brand, fanzine, sporadic music–happening and 24\/7 attitude (philosophy, if you like) peddled and occasionally soap- boxed by Ian Anderson TDR™ and Tim Collard of CollardManson.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“If at first you don’t succeed, maybe failure’s your style.” — Quentin Crisp.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYou probably won’t have heard of Jeffrey Bernard but you’re reading about him now because he coined the phrase ‘aim low and miss’. He was known, by those who gave a toss, for his weekly Low Life column in The Spectator Magazine and notorious for his chaotic career and life of alcohol abuse. His choice. He personified Soho’s lurid, bohemian art-mosphere, attracting circling kindred spirits like Francis Bacon, Dylan Thomas and Nina Hamnett (The Queen of Bohemia). His Aim Low and Missives obsessed on life, the dispossessed, the reckless and the feckless. The lesson in these pinched times, where our role seems to be to conform, to fret, and to go shopping, was you don’t HAVE to do what other people tell you to do — a world where success is rooted in achieving personal goals, not those imposed directly by or by association with others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSuccess in our celeb-saturated first world wannabe culture is measured by the acquisition, and hi-vis spunking of money on stuff we’re supposed to want but don’t need; getting-It (off the shelf) and flaunting-It (like people do in magazines), all garbed up in Trumpish fake quality and flakey taste.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAIM LOW+M—SS isn’t a cop out, drop out or a tune-in turned-off, it’s the pro-active pursuit of defining and achieving success relative to personal goals free from the shackles of social expectation. Aspiring to be better is better than unavoidably failing to be best. To keep us out of trouble, or more accurately in ‘managed trouble’, we’re encouraged to live a series of EITHER\/OR realities, to participate in mass culture organised around pre-packed partisan identities of warring movements and disparate style tribes. Essentially EITHER\/ OR is the logic of difficult choices in an age of scarcity, an economy of limited time and energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAIM LOW+M—SS replaces EITHER\/ OR with the buzz of PLUS\/AND — a mindbomb which means you don’t have to choose — you can have both ... you can have it all (lollipop). If you want. But be careful what you wish for as we hurtle towards the critical mass of information, overloaded ‘Glutted’ societies and ‘Clotted’ economies. We’ve had it all ... and now we’re stuffed. Utopia in its many guises is historically portrayed as the land of plenty, a consumerist’s gluttony of entitlement and satisfaction, but it’s apparent that any 21st-century future-proof Land of Cockayne will be less about wanting for nothing and more about WANTING NOTHING. AIM LOW+M—SS— Need without Greed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAIM LOW+M—SS the drudgery of the multiple-choice tickbox– public–vote of no-list celebrity. It’s a personal vote for hyperbole-free- happiness neither totally nailed nor smashed, not standard, not ‘put down’, high-fived nor dragon- approved — not the richest, fastest, strongest, biggest, thinnest or sexiest ... just a wonderful ‘whatever-you-choose’ life, neither more nor less ordinary.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Small","offer_id":47922695962948,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0177.jpg?v=1706971936"},{"product_id":"aim-low-miss-tee-2","title":"Aim Low + M—ss Interference - T-Shirt","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW + M—SS was a Sheffield fashion brand, fanzine, sporadic music–happening and 24\/7 attitude (philosophy, if you like) peddled and occasionally soap- boxed by Ian Anderson TDR™ and Tim Collard of CollardManson.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“If at first you don’t succeed, maybe failure’s your style.” — Quentin Crisp.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou probably won’t have heard of Jeffrey Bernard but you’re reading about him now because he coined the phrase ‘aim low and miss’. He was known, by those who gave a toss, for his weekly Low Life column in The Spectator Magazine and notorious for his chaotic career and life of alcohol abuse. His choice. He personified Soho’s lurid, bohemian art-mosphere, attracting circling kindred  spirits like Francis Bacon, Dylan Thomas and Nina Hamnett (The Queen of Bohemia). His Aim Low and Missives obsessed on life, the dispossessed, the reckless and the feckless. The lesson in these pinched times, where our role seems to be  to conform, to fret, and to go shopping, was you don’t HAVE to do what other people tell you to do — a world where success is rooted in achieving personal goals, not those imposed directly by or by association with others.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuccess in our celeb-saturated first world wannabe culture is measured by the acquisition, and hi-vis spunking of money on stuff we’re supposed to want but don’t need; getting-It (off the shelf) and flaunting-It (like people do in magazines), all garbed up in Trumpish fake quality and flakey taste.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS isn’t a cop out, drop out or a tune-in turned-off, it’s the pro-active pursuit of defining and achieving success relative to personal goals free from the shackles of social expectation. Aspiring to be better is better than unavoidably failing to be best.  To keep us out of trouble, or more accurately in ‘managed trouble’, we’re encouraged to live a series of EITHER\/OR realities, to participate in mass culture organised around pre-packed partisan identities of warring movements and disparate style tribes. Essentially EITHER\/ OR is the logic of difficult choices in an age of scarcity, an economy of limited time and energy.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS replaces EITHER\/ OR with the buzz of PLUS\/AND — a mindbomb which means you don’t have to choose — you can have both ... you can have it all (lollipop). If you want. But be careful what  you wish for as we hurtle towards the critical mass of information, overloaded ‘Glutted’ societies and ‘Clotted’ economies.  We’ve had it all ... and now we’re stuffed. Utopia in its many guises is historically portrayed as the land of plenty, a consumerist’s gluttony of entitlement and satisfaction, but it’s apparent that any 21st-century future-proof Land of Cockayne will be less about wanting for nothing and more about WANTING NOTHING. AIM LOW+M—SS— Need without Greed.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS the drudgery of the multiple-choice tickbox– public–vote of no-list celebrity. It’s a personal vote for hyperbole-free- happiness neither totally nailed nor smashed, not standard, not ‘put down’, high-fived nor dragon- approved — not the richest, fastest, strongest, biggest, thinnest \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eor sexiest ... just a wonderful ‘whatever-you-choose’ life, neither more nor less ordinary.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Small","offer_id":47922695471428,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0180.jpg?v=1706971976"},{"product_id":"aim-low-miss-tee-3","title":"Aim Low + M—ss - Grey T-Shirt","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW + M—SS was a Sheffield fashion brand, fanzine, sporadic music–happening and 24\/7 attitude (philosophy, if you like) peddled and occasionally soap- boxed by Ian Anderson TDR™ and Tim Collard of CollardManson.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“If at first you don’t succeed, maybe failure’s your style.” — Quentin Crisp.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou probably won’t have heard of Jeffrey Bernard but you’re reading about him now because he coined the phrase ‘aim low and miss’. He was known, by those who gave a toss, for his weekly Low Life column in The Spectator Magazine and notorious for his chaotic career and life of alcohol abuse. His choice. He personified Soho’s lurid, bohemian art-mosphere, attracting circling kindred  spirits like Francis Bacon, Dylan Thomas and Nina Hamnett (The Queen of Bohemia). His Aim Low and Missives obsessed on life, the dispossessed, the reckless and the feckless. The lesson in these pinched times, where our role seems to be  to conform, to fret, and to go shopping, was you don’t HAVE to do what other people tell you to do — a world where success is rooted in achieving personal goals, not those imposed directly by or by association with others.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuccess in our celeb-saturated first world wannabe culture is measured by the acquisition, and hi-vis spunking of money on stuff we’re supposed to want but don’t need; getting-It (off the shelf) and flaunting-It (like people do in magazines), all garbed up in Trumpish fake quality and flakey taste.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS isn’t a cop out, drop out or a tune-in turned-off, it’s the pro-active pursuit of defining and achieving success relative to personal goals free from the shackles of social expectation. Aspiring to be better is better than unavoidably failing to be best.  To keep us out of trouble, or more accurately in ‘managed trouble’, we’re encouraged to live a series of EITHER\/OR realities, to participate in mass culture organised around pre-packed partisan identities of warring movements and disparate style tribes. Essentially EITHER\/ OR is the logic of difficult choices in an age of scarcity, an economy of limited time and energy.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS replaces EITHER\/ OR with the buzz of PLUS\/AND — a mindbomb which means you don’t have to choose — you can have both ... you can have it all (lollipop). If you want. But be careful what  you wish for as we hurtle towards the critical mass of information, overloaded ‘Glutted’ societies and ‘Clotted’ economies.  We’ve had it all ... and now we’re stuffed. Utopia in its many guises is historically portrayed as the land of plenty, a consumerist’s gluttony of entitlement and satisfaction, but it’s apparent that any 21st-century future-proof Land of Cockayne will be less about wanting for nothing and more about WANTING NOTHING. AIM LOW+M—SS— Need without Greed.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS the drudgery of the multiple-choice tickbox– public–vote of no-list celebrity. It’s a personal vote for hyperbole-free- happiness neither totally nailed nor smashed, not standard, not ‘put down’, high-fived nor dragon- approved — not the richest, fastest, strongest, biggest, thinnest \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eor sexiest ... just a wonderful ‘whatever-you-choose’ life, neither more nor less ordinary.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Small","offer_id":47922695143748,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0194.jpg?v=1706972035"},{"product_id":"aim-low-miss-tee-4","title":"Aim Low + M—ss - Black T-Shirt","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW + M—SS was a Sheffield fashion brand, fanzine, sporadic music–happening and 24\/7 attitude (philosophy, if you like) peddled and occasionally soap- boxed by Ian Anderson TDR™ and Tim Collard of CollardManson.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“If at first you don’t succeed, maybe failure’s your style.” — Quentin Crisp.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou probably won’t have heard of Jeffrey Bernard but you’re reading about him now because he coined the phrase ‘aim low and miss’. He was known, by those who gave a toss, for his weekly Low Life column in The Spectator Magazine and notorious for his chaotic career and life of alcohol abuse. His choice. He personified Soho’s lurid, bohemian art-mosphere, attracting circling kindred  spirits like Francis Bacon, Dylan Thomas and Nina Hamnett (The Queen of Bohemia). His Aim Low and Missives obsessed on life, the dispossessed, the reckless and the feckless. The lesson in these pinched times, where our role seems to be  to conform, to fret, and to go shopping, was you don’t HAVE to do what other people tell you to do — a world where success is rooted in achieving personal goals, not those imposed directly by or by association with others.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuccess in our celeb-saturated first world wannabe culture is measured by the acquisition, and hi-vis spunking of money on stuff we’re supposed to want but don’t need; getting-It (off the shelf) and flaunting-It (like people do in magazines), all garbed up in Trumpish fake quality and flakey taste.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS isn’t a cop out, drop out or a tune-in turned-off, it’s the pro-active pursuit of defining and achieving success relative to personal goals free from the shackles of social expectation. Aspiring to be better is better than unavoidably failing to be best.  To keep us out of trouble, or more accurately in ‘managed trouble’, we’re encouraged to live a series of EITHER\/OR realities, to participate in mass culture organised around pre-packed partisan identities of warring movements and disparate style tribes. Essentially EITHER\/ OR is the logic of difficult choices in an age of scarcity, an economy of limited time and energy.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS replaces EITHER\/ OR with the buzz of PLUS\/AND — a mindbomb which means you don’t have to choose — you can have both ... you can have it all (lollipop). If you want. But be careful what  you wish for as we hurtle towards the critical mass of information, overloaded ‘Glutted’ societies and ‘Clotted’ economies.  We’ve had it all ... and now we’re stuffed. Utopia in its many guises is historically portrayed as the land of plenty, a consumerist’s gluttony of entitlement and satisfaction, but it’s apparent that any 21st-century future-proof Land of Cockayne will be less about wanting for nothing and more about WANTING NOTHING. AIM LOW+M—SS— Need without Greed.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAIM LOW+M—SS the drudgery of the multiple-choice tickbox– public–vote of no-list celebrity. It’s a personal vote for hyperbole-free- happiness neither totally nailed nor smashed, not standard, not ‘put down’, high-fived nor dragon- approved — not the richest, fastest, strongest, biggest, thinnest \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eor sexiest ... just a wonderful ‘whatever-you-choose’ life, neither more nor less ordinary.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Large","offer_id":47922694652228,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0199.jpg?v=1706972097"},{"product_id":"glitch-angryman-tee","title":"Angryman \u0026 Chips - TDR X Bleep T-Shirt","description":"\u003cp data-mce-fragment=\"1\"\u003eAs part of Bleep’s Pop Up store in Dalston (London) in February 2019, Resident Advisor presented an onstage conversation between Ian Anderson and Trevor Jackson (Bite It \/ Playgroup \/ Output etc) about dance music, design and digital etc\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo tie in with the event and other TDR X Bleep activity they commissioned a new ltd edition collab tee to sell exclusively on Bleep. The shirt was ‘dropped’ at lunchtime on the day of the chinwag while I was grabbing a coffee at Finsbury Park tube… By the time I arrived at the pop-up less than an hour later, it was sold out.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI grabbed a handful from a box in the shop… Trevor’s got one and these two are the last of the last.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe design itself is a crush collision between TDR Angryman and various Atoms Vector Pixels and Ghosts. Somewhere there’s a few screen prints left… watch the skies\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Small","offer_id":47922692555076,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"XLarge","offer_id":47922692587844,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0189.jpg?v=1706972719"},{"product_id":"angrymahn-tee","title":"Angrymahn T-Shirt","description":"\u003cp data-mce-fragment=\"1\"\u003eIn 2015 we collaborated on the design and curation of the ’50 Years of British Road Signs’ exhibition at The Design Museum. We remain strangely uncredited. Also remaining is this DR Angrymahn tee based on the ‘Autobahn’ \/ Motorway road sign we reinterpreted as a hybrid with our own DR Angryman logo.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePrinted white on a motorway blue shirt with a Junction 33 (for Sheffield) device on the back at the hem, its as much a homage to the original 1975 UK pressing of Kraftwerk’s Autobahn album (on Vertigo) as it is to Margaret Calvert and Jock Kinnear’s landmark (literally) work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere’s only a few left which were originally held back for a video clip that was never shot for the mythical TDR™ film, Work Buy Consume Die. We have what we have remaining, there’s no plans to reprint.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"XXXL","offer_id":47922688033092,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"XXL","offer_id":47922688065860,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"L","offer_id":47922688098628,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"M","offer_id":47922688131396,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false},{"title":"S","offer_id":47922688164164,"sku":"","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0193.jpg?v=1706972750"},{"product_id":"bcbg-black-tee","title":"BCBG - Black T-Shirt","description":"\u003cp data-mce-fragment=\"1\"\u003eAt the arse end of the 20th century it felt like Campag Velocet were going to be TDR™’s next big thing, our new best mates in the wake of Pop Will Eat Itself’s split. Although different in appearance to our work with the Poppies, there was a similar approach and detail in the thinking behind the design as we’d done with PWEI. But it never really happened for the band nor our relationship.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat remains in the archive is one of our favourite shirts, in two colourways designed to coincide with the release of the Bon Chic Bon Genre album in 1999, anonymous enough for any urban occasion\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Medium","offer_id":47922684002628,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false},{"title":"Large","offer_id":47922684035396,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0200.jpg?v=1706972805"},{"product_id":"bcbg-grey-tee","title":"BCBG - Grey T-Shirt","description":"\u003cp data-mce-fragment=\"1\"\u003eAt the arse end of the 20th century it felt like Campag Velocet were going to be TDR™’s next big thing, our new best mates in the wake of Pop Will Eat Itself’s split. Although different in appearance to our work with the Poppies, there was a similar approach and detail in the thinking behind the design as we’d done with PWEI. But it never really happened for the band nor our relationship.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat remains in the archive is one of our favourite shirts, in two colourways designed to coincide with the release of the Bon Chic Bon Genre album in 1999, anonymous enough for any urban occasion\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Large","offer_id":47922682659140,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0208.jpg?v=1706972901"},{"product_id":"age-of-chance-button-up-hoodie","title":"Age of Chance Button-Up Hoodie","description":"No tag, approx XL.","brand":"The Designers Republic™","offers":[{"title":"XL","offer_id":47922664505668,"sku":"","price":125.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0215.jpg?v=1706973263"},{"product_id":"melbourne-angryman-tote-bag-black","title":"TDR Up Over Down Under Standard Tote Bag","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn May 2013, Chris Norman of Melbourne-based 313RGB put on, in conjunction with Ian Anderson, a street-budget retrospective of TDR™’s work at No Vacancy \/ QV Gallery in Melbourne’s CBD.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis is some of the upside down press jibber-jabber about the show — \"Ian Anderson \/ The Designers Republic™ — UpOverDownUnder™ held at No Vacancy, is a major showcase of the iconic work of The Designers Republic™ featuring the powerful visual language of consumerism and ironic plays on culture that have so heavily influenced a generation of creatives worldwide. Expect an array of large-scale work and installation which blitzes you with provocative imagery punctuated by manipulated, abstracted and questioning texts.” \u003c\/span\u003e\u003cspan\u003eThis is a link to the website \u003c\/span\u003e\u003ca href=\"https:\/\/www.tdr-upoverdownunder.com\/\"\u003ehttps:\/\/www.tdr-upoverdownunder.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003ePeople who attended Ian's workshops (in Melbourne \u0026amp; Sydney) got one of these totes ‘free’ and there were around an extra 100 or so intended as giveaways \/ thank yous to sponsors \/ volunteers \/ TDR’s ‘little helpers’ etc (so 200 in total). There was another version (different material) available for sale. They’ve gone. And, apart from the 4 we exhumed from the archive available here, these have too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003ePrinted in reyt thick silver and double hit fluorescent Pantone 806 inks on black cotton, you'll never look so good saving the planet one bag at a time as you will with these beasts.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"The Designers Republic™","offers":[{"title":"Default Title","offer_id":48237599850820,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0241.jpg?v=1712332952"},{"product_id":"the-darling-buds-black-t-shirt","title":"The Darling Buds - Black T-Shirt","description":"\u003cp\u003eOriginal 1988 Tee for The Darling Buds Burst Out Tour.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"XL","offer_id":48237625770308,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0247.jpg?v=1712333262"},{"product_id":"the-darling-buds-white-t-shirt","title":"The Darling Buds - White T-Shirt","description":"\u003cp\u003eOriginal olden times promo shirt for The Darling Buds 1988 Native Records single ‘Its All Up To You’. The idea for The Buds single covers was to find different pop cultural representations of flowers — not rocket science but pre-scanner BC we pillaged what we could when we could. The first, Shame On You, was a cheeky steal from a garden centre seed packet, It’s All Up To You was a little more ambitious… we approached The Warhol Foundation about usage rights for Warhol’s Flowers but even a generous offer from them was considerably more than a Doncaster-based indie record label could dream of paying. We went back and forth with a person at the Foundation to try to find a way forward… off the record they suggested we re-create the work in the same spirit without copying it. So, working with friends at Psalter Lane Art College, that’s what we did.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"XL","offer_id":48237632160068,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0253_2a5bc95f-c5c5-45f9-a317-445221aa2782.jpg?v=1712333409"},{"product_id":"campag-velocet-green-t-shirt","title":"Campag Velocet - Green T-Shirt","description":"\u003cp\u003eEssential circa 2004 TDR body-covering to wear listening to Camp’s second ‘wrong’-player 'Its Beyond Our Control’. There was an in-camp on-project desire to confound sensibilities, to create something idiosyncratic across all the album \/ tour \/ merch artwork, something ownable for the fan-clans, a prelude to the next step. The clans didn’t turn up and there were no next steps but these shirts have become treasured by the fans who did.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Large","offer_id":48237649789252,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0261_15e30020-dd0b-47c4-83b8-96203a051733.jpg?v=1712333574"},{"product_id":"campag-velocet-blue-t-shirt","title":"Campag Velocet - Blue T-Shirt","description":"\u003cp\u003eEssential circa 2004 TDR body-covering to wear listening to Camp’s second ‘wrong’-player 'Its Beyond Our Control’. There was an in-camp on-project desire to confound sensibilities, to create something idiosyncratic across all the album \/ tour \/ merch artwork, something ownable for the fan-clans, a prelude to the next step. The clans didn’t turn up and there were no next steps but these shirts have become treasured by the fans who did.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Large","offer_id":48237654737220,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0262_76c56c4c-a00b-4e29-93cd-ca01ec35577c.jpg?v=1712333689"},{"product_id":"copy-of-campag-velocet-pink-t-shirt","title":"Campag Velocet - Pink T-Shirt","description":"\u003cp\u003eEssential circa 2004 TDR body-covering to wear listening to Camp’s second ‘wrong’-player 'Its Beyond Our Control’. There was an in-camp on-project desire to confound sensibilities, to create something idiosyncratic across all the album \/ tour \/ merch artwork, something ownable for the fan-clans, a prelude to the next step. The clans didn’t turn up and there were no next steps but these shirts have become treasured by the fans who did.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"Large","offer_id":48237667090756,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0264_9f2a2d85-5493-4ecc-a6a4-75d6f1c4cd41.jpg?v=1712333891"},{"product_id":"cloud-9-blue-t-shirt","title":"Cloud 9 - Blue T-Shirt","description":"\u003cp\u003eCloud Nine was Mark Brydon’s post FON Records (Krush \/ Funky Worm) \/ Chakk Acid Jazz band before he met Roisin Murphy, in her tight sweater, and gave birth to Moloko. This is the recently rediscovered tee we forgot we’d made for the Cloud Nine album ‘Millennium’ released by Acid Jazz Records in 1993. The shirt is probably more TDR than the album sleeve for which we roped in ex-brother Dave Smith for some end of the century pixel sample-delic relic Axis Bold as Bitches Brew-ery.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"XL","offer_id":48237680001348,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0267.jpg?v=1712334046"},{"product_id":"submission-black-t-shirt","title":"Submission - T-Shirt","description":"\u003cp\u003eOriginal 1989 TDR Tee for Submission Records. Most of the work for Jon Crossley (Le Croix) and Graeme Park’s label was done during the twilight years where we were still making stuff using primitive design software (early Freehand \/ Claris Works \/ Hypercard) and outputting via a local bureau (delivered to by hand on a floppy disk and collected as output on bromide paper). Output scaled via PMT camera in dark room (or sometimes photocopied etc) and pasted up as mechanical artwork — There’s around 6 overlays just to create this one 2D design with different levels of blurring \/ Half-toning \/ sizing etc. \u003c\/p\u003e\n\u003cp\u003eThis tee is an adaptation of the cover we did for the 1989 label sampler Submit To The Beat’ featuring some of Graem’s rarer mxes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHere’s an after-dinner did you know fact… Submission was a sister project to Derby (then Nottingham’s) Square Dance Studios. When Tim Andrews approached us to design logos and other stuff for the studio we were paid in Apple Macs as his day job was as a computer dealer. For the initial Square Dance work we got a MacSE, a MacII with monitor, a Kurta graphics tablet (still never used), Pixel Paint and Claris Works. We also got a Commodore 64 with a camera thing and tripod for scanning (pre-commercial scanners). We never used the Commodore thing as we got Phil Wolstenholme to do the images for us… and we didn’t really use the Mac stuff for 6 months until we had some students on who ‘had Macs at college’. They showed us Aldous Freehand… and that changed our (and your) world.\u003c\/p\u003e","brand":"The Designers Republic™","offers":[{"title":"XL","offer_id":48237692223812,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0783\/1702\/7652\/files\/DSC_0269.jpg?v=1712334176"}],"url":"https:\/\/divinerights.co.uk\/collections\/sold.oembed?page=10","provider":"Divine Rights™","version":"1.0","type":"link"}